&: per se, and

As neural told me, “Interesting (but brief) article on the history of the ampersand.”

ironic fallacy

I just learned this great quote from Dr. Mardy:
“Anyone who conducts an argument by appealing to authority is not using his intelligence; he is just using his memory.”
– Leonardo Da Vinci

If I quote Da Vinci during a debate, am I committing the appeal to authority fallacy?

antipolitical quotations

The quotemaster at qotd.org, G. Armour Van Horn (who signs his introductory comments "Van") has given some hints before of having libertarian leanings. He’s suspicious of government in general, has expressed a past appreciation of Ayn Rand (with the standard disclaimers), and has a fondness for Thomas Jefferson. I’ve never sensed anything radical about him, however. Until this morning.

Today’s mailing was the first hint, the first subtle sign of blasphemy against our secular religion.

Today’s introductory comments begin, "I no longer participate in politics directly…"

Sound familiar?

Here’s the whole message:

I no longer participate in politics directly, but for months now I’ve been drawn to watching the presidential race with much the same fascination a bystander might evidence at the scene of a multiple-vehicle road accident. Alas, things appear to be getting ugly, I thought a little cynicism from the ages would be in order. Note that one of our contributors, newsman Edward R. Murrow, was born a century ago today.

Today’s Quotes:

  • "The politicians were talking themselves red, white, and blue in the face."

    – Clare Boothe Luce, 1902–1987

  • "Three groups spend other people’s money: children, thieves, politicians. All three need supervision."

    – Dick Armey

  • "The politician in my country seeks votes, affection, and respect, in that order…. With few notable exceptions, they are simply men who want to be loved."

    – Edward R. Murrow, 1908–1965

  • "The trouble with this country is that there are too many politicians who believe, with a conviction based on experience, that you can fool all of the people all of the time."

    – Franklin P. Adams, 1881–1960

  • "The whole aim of practical politics is to keep the populace alarmed – and hence clamorous to be led to safety – by menacing it with an endless series of hobgoblins, all of them imaginary."

    – Henry Louis Mencken, 1880–1956

  • "My choice early in life was either to be a piano–player in a whorehouse or a politician. And to tell the truth, there’s hardly any difference."

    – Harry S Truman, 1884–1972

why mommy just can't stop smiling


A new picture book about plastic surgery aims to explain why mom is getting a flatter tummy and a ‘prettier’ nose.

(via AC & Carolyn)

Well, it horrifies me less than Why Mommy Is a Democrat.

how government schools teach history

“I have concluded that history in my own public school education was little more than a chronological sequence of political campaign slogans, punctuated by the odd war.”

David Bratton

'capitalism' is a reclaimed word

Ludwig von Mises wrote,

The system of free enterprise has been dubbed capitalism in order to deprecate and to smear it. However, this term can be considered very pertinent. It refers to the most characteristic feature of the system, its main eminence, viz., the role the notion of capital plays in its conduct.

That’s from chapter 13 of Human Action.

I think Robert Murphy’s summary is even better:

Capitalism was originally a smear term for the system of free enterprise, meant to imply that this system only serves the narrow interests of the capitalists. However, the term is a good one, for the very notion of capital — of summing the market prices of the resources available for a project — is inextricably linked to monetary calculation, which itself can only occur in a capitalist society.

I was a free-market advocate before I became an advocate of capitalism. The free market is an ethical concept, not an economic one; it is merely the recognition that nonaggression needs to apply to exchange as much as it applies to anything else. (Robert Nozick summarized this idea as “capitalist acts between consenting adults.”)

Capitalism is a separate issue and a separate agenda — a positive agenda, in contradistinction to the negative agenda of nonaggression, a utilitarian concept rather than an ethical one — but the more I learned of economics, capital theory, and economic history, the less I could understand the left-libertarian position of embracing the free market while rejecting capitalism.

The free-market anticapitalists define capitalism as any system of political privilege for current capitalists, especially as it suppresses bottom-up competition, entry-level entrepreneurship, and the rights of labor. But we already have plenty of other terms to cover that ideamercantilism, corporatism, even fascism — but what alternative is there to indicate the universal benefits of capital accumulation, capital structure, and capital calculation — all of which result from the private ownership of the means of production?

In fact, private ownership of the means of production (that is, of capital) was the technical definition of capitalism, even among the anticapitalists who coined the term! The idea of political privilege for capital owners was just an assumed consequence, a conflation of definition and theory.

The only advantage I see to accepting this linguistic conflation is to conciliate the heirs of the New Left, to tease out of them a more consistent individualism without tripping their anticommercial reflexes. But aside from what I consider its intellectual dishonesty, this strategy, it seems to me, does more than postpone anti-economic prejudices; it implicitly promotes them.

Faced with these same prejudices, many anti-anti-capitalists adopted the label of “free enterprise,” but that term, taken literally, tells us nothing more than “free market” does. It certainly indicates nothing about the structure of ownership or of the means of production.

Until a free-market anticapitalist can offer me a useful alternative label for the utilitarian economic concept Mises called “capitalism,” I’ll stick with his reclaimed word.

political economy is eminently social

When the great truths of Political Economy shall become generally known—when men shall be convinced that each person will sell with greater facility the more others gain; that they can only gain by means of labour, capital, or land; that the greater the number of producers the greater the number of consumers; that unproductive consumers are mere representatives of others, and can only consume by means of what others produce; that all nations are interested in the prosperity of each other, and in facilitating the means of communication; that capital or land, and even labour, can only be productive while it is respected as property, and that the poor but industrious man is interested in the defence of the property of the rich, and in maintaining good order, because their subversion may deprive him of the means of subsistence:—when these truths shall be generally known, it will be almost impossible to stir up nations or bodies of men against each other. This science therefore is eminently social, and by teaching that no men can injure others without injuring themselves, and that the advantages gained by others are productive of advantages to themselves, will probably effect what a less interested doctrine has not yet accomplished.

– Translator’s preface to Letters to Mr. Malthus (1821) Download PDF by Jean-Baptiste Say, pp. vi–vii

(The Mises Insitute has also made available J-B Say’s Treatise on Political Economy.Download PDF)

"An artist is identical with an anarchist," he cried.

I’d never heard of G.K. Chesterton before reading David Friedman’s The Machinery of Freedom. For some reason, Friedman ends his anarchocapitalist manifesto with a defense of G.K. Chesterton against accusations of antisemitism. I learned that Chesterton regularly debated George Bernard Shaw in public on the question of socialism, which endeared him to me without my knowing anything else. I later learned that Chesterton had written a mystery novel about a man who goes undercover to investigate a cell of bomb-throwing anarchists. That sounded like something I had to have a look at, but I’ve read so little fiction in the past 4 years that I never got around to it.

Then last week, LearnOutLoud.com announced that ChristianAudio.com was giving away a free audiobook of G.K. Chesterton’s The Man Who Was Thursday for the month of April. You still have a week left to grab it.

The text of the novel is available at Project Gutenberg and also at Bartleby.com.

I’ve only listened to the first chapter (which I then downloaded and read aloud to my wife), but I’m already tempted to give the book high praise. Here’s an excerpt from the opening:

Gregory resumed in high oratorical good humour.

"An artist is identical with an anarchist," he cried. "You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway."

"So it is," said Mr. Syme.

"Nonsense!" said Gregory, who was very rational when anyone else attempted paradox. "Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!"

"It is you who are unpoetical," replied the poet Syme. "If what you say of clerks is true, they can only be as prosaic as your poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!"

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update on "Am I Black Enough Yet"

Clinton’s play has gotten some impressive reactions. Here’s one:

  • Am I Black Enough, Yet?
  • Written by Clinton Johnston
  • Directed by George Grant
  • Produced by Charter Theater with the Hamner Theatre
  • Reviewed by Debbie Minter Jackson

This creative script tackles sensitive, poignant, hilarious even bizarre issues involving race and race relations. A cast of five lightening quick actors pop into a variety of roles, improv style, and rip roar through scenes that will induce chuckles, bursts of laughter, stunned silence, or even painful acknowledgment of the fractured life scenes depicted on stage. Written in George C. Wolfe’s Colored Museum type of humor and style, a kind of Wolfe-lite, Am I Black Enough, Yet? has just enough bite to make a point without puncturing, posturing, or preaching.

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The Dukes of Moral Hazard

Mises.org Weekend Read

There are certain lightbulb moments in political economy: the first time you understand price fixing as it relates to shortages and gluts; the first time you understand minimum wage in terms of price fixing; the first time you understand opportunity costs the way Bastiat meant when he wrote of the seen and the unseen; the first time you grasp what is meant by externalization of costs, the tragedy of the commons, moral hazard…

Jörg Guido Hülsmann’s “The Political Economy of Moral Hazard” is the type of essay that turns on the lightbulb. It’s not that I hadn’t grasped the concept of moral hazard before. I had. But somehow JGH puts it all together in a way that seems so simple and obvious and yet it helps pieces slide into place that had perhaps been at odd angles before. It is one of those clarifying essays that won’t let you see the world the same way again:

Moral hazard is the incentive of person A to use more resources than he otherwise would have used, because he knows, or believes he knows, that person B will provide some or all of these resources. Many economists have concluded that moral hazard entails market failures.

Jörg Guido Hülsmann shows, however, that moral hazard arises anywhere there is a separation of ownership and control — and further, that moral hazard entails expropriation when ownership and control of a resource are separated without the consent of the owner. This is, in fact, the essence of government interventionism: institutionalized uninvited co-ownership. FULL ARTICLE

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